|
Selected Commissions and Solo Exhibitions
Joey Morgan
contact
Selected Commissions and Solo Exhibitions
| 2006 |
science (véritable) { anatomies || comparées } quartier éphémère, Montéal Québec |
| 2005 |
science (véritable) { anatomies || comparées }, University of Sherbrooke (catalog) |
| 2003 |
The Romantic Condition, two site specific installations, presented at Centre d’Art Passerrelle, Brest France (catalog) |
| 2001 |
an Analysis for the Romantic Condition, interdisciplinary site specific installation, presented with three related works, Great River Arts Institute, New Hampshire |
| 1999 |
http://www.dreamlab.org a multi-faceted web site for The Man Who Waits and Sleeps While I Dream (no longer availbale on-line) |
| 1998 |
10,000 Faucets and Doorknobs, public art work, permanent installation, Vancouver, Canada. |
| 1997 |
The Man Who Waits and Sleeps While I Dream, Norman MacKenzie Art Gallery, Regina Saskatchewan (installation with bookwork catalog and multi media website) |
| 1996 |
Nausea, University of Lethbridge, Lethbridge, Alberta, Canada |
| 1994 |
the Memory Tape of the Day, Printed Matter, New York, NY |
| |
An Archive for the Lost Ones, Contemporary Art Gallery, Vancouver bookwork/catalog) |
| 1991 |
EVERYTHING You Always Wanted, the Power Plant Gallery, Toronto, Canada. (bookwork and CD recording) |
| |
nO fiXeD aDdrESs, in association with the Contemporary Art Gallery, Vancouver, British Columbia, Canada. (matchbooks) |
| |
How to Avoid the Future Tense, collaborative project with Liz Magor in site specific cabin in Banff, Alberta, Canada in association with the Walter Phillips Gallery (bookwork). |
| 1988 |
have you Ever loved me? Presentation House, North Vancouver, British Columbia, Canada. (bookwork/catalog) |
| 1987 |
nO fiXeD aDdrESs, Mercer Union and City TV Toronto, Canada. (bookwork) |
| |
Almost*Dreaming, Vancouver Art Gallery, Vancouver, BC, Canada (bookwork/catalog). |
| 1985 |
Souvenir; A Recollection in Several Forms, installed on the 31st floor of Park Place office tower, Vancouver, BC, Canada. (bookwork) |
| 1984 |
Fugue: A Two Part Recital of Direct and Circumstantial Evidence, installed in a derelict warehouse 1230 Hamilton Street, Vancouver, BC, Canada. |
| |
Fugue StateMent, a documentary exhibition concerning the Fugue Project, Charles H Scott Gallery, Emily Carr College of Art and Design, Vancouver, BC, Canada. (catalog). |
| 1982 |
TideCatchers, Jericho Wharf and Main Exit Gallery, Vancouver, BC, Canada. |
| 1981 |
Jericho Detachment Project: RCAF Hangars #5,#7,#8, Open Space Gallery, Victoria BC, Canada and Southern Alberta Art Gallery, Lethbridge, Alberta, Canada. catalog). |
| 1979 |
Breathings, UBC Fine Arts Gallery, Vancouver, BC, Canada (catalog) |
Recent Lectures
| 2004 |
Narrative Installation, Ecole des BeauxArts, Brest France |
| 2001 |
The Prose Poem, conference with Robert Bly at the Great River Arts Institute, New Hampshire |
| 1997 |
Narrative Structure, Norman MacKenzie Gallery, Saskatchewan, Canada. |
| 1997 |
Multimedia Storytelling, Bauhaus-Universität, Weimar Germany. |
Workshops
| 1997 |
American Film Institute, Los Angeles, digital workshop focused on world wide web. |
Residencies
| 1996 |
Harvestworks, Studio PASS New York City |
| 1993 |
Banff Centre for the Arts, Digital Audio Studio, Alberta Canada |
| 1992 |
Strokestown House, Strokestown Ireland. |
| 1991 |
Oud Amelisweerd, Bunnick, Netherlands. |
| 1991 |
University of Windsor, Windsor Ontario. |
| 1989 |
Cité des Arts, Paris France. |
Selected Group Exhibtions
| 2002 |
Generation III, AIR Gallery, New York |
| |
Storefront Project, (By Association) Brattleboro Museum, Brattleboro VT |
| |
Deus Ex Machina, Bradley Unniversity IL |
| 2001 |
Périphérique, Groupe Intervention Vidéo, Montréal Canada |
| 1998 |
Pasage(s), Centre International d’Art Contemporain de Montréal, Canada (catalog). |
| 1996 |
96 Containers, (I Love You Forever) Copenhagen Denmark (catalog). |
| 1993 |
Livres/Objets et Papiers de Photographes, galerie Isabelle Bongard, Paris France |
| |
Vancouver Collects, Vancouver Art Gallery, Vancouver BC Canada (catalog). |
| |
Contact/Proof, Jersey City Museum, Jersey City New Jersey. |
| 1992 |
The Biennale of Sydney, Sydney Australia (catalog). |
| |
Transit: EVERYTHING You Always Wanted, Le Fresnoy, Tourcoing France (catalog) |
| |
Caught in a Box, Art in General, New York |
| 1991 |
West Coast Stories: Latitude 53, Edmonton, Alberta, Canada and the University of Lethbridge, Lethbridge, Alberta, Canada. |
| |
En Hommage à un Cadeau d’Eva Hesse à Sol Lewitt, galerie AxeNéo-7, Hull Québec, Canada (catalog). |
| 1990 |
Learn To Read: Artists’ Books, Art Gallery of Hamilton, Ontario, Canada.
Cross-Currents:: University of California at Santa Barbara, 1990; California State University, Hayward California, 1991; Selby Gallery, Ringling School of Art and Design, Sarasota, Florida, 1992. (catalog). |
| |
Transpositions, Exhibition on the Skytrain rapid transit system, Vancouver, BC, Canada (catalog). |
| |
L’art d’installation, Musée d’art contemporain, Montréal, Québec, Canada. |
| 1989 |
Canada Biennial, National Gallery of Canada, Ottawa, Ontario, Canada (catalog). |
| |
100 Days of Contemporary Art, Centre International d’Art Contemporain, Montréal, Quebec, Canada (catalog). |
| |
On Paper, Charles H. Scott Gallery, Emily Carr College of Art and Design, Vancouver, B.C, Canada. |
| 1986 |
Songs Of Experience, National Gallery of Canada, Ottawa Ont. (catalog). |
| |
Making History, Vancouver Art Gallery, Vancouver, BC, Canada. |
| |
Vancouver Now/Vancouver 86: Walter Phillips Gallery, Banff, Alberta, Canada, and at the London Regional Art Gallery, London, Ontario, Canada, Optica Gallery, Montreal, Quebec, Canada, the Winnipeg Art Gallery, Winnipeg, Manitoba Canada. (catalog). |
Bookworks
| 2002 |
Carrot, A Botanical Memoir, aprox 300 pp. full colour, text by David Blistein |
| 1999 |
The Man Who Waits and Sleeps While I Dream, 70 pp. full colour, includes Elizabethan Post–Modern by Jeanne Randolph, published to accompany multi media installation at the MacKenzie Art Gallery, Regina Saskatchewan. Winner of Saskatchewan Book Award. |
| 1995 |
an Archive for the Lost Ones, bookwork (1995) 44 pp. full colour, published by Contemporary Art Gallery, Vancouver, BC |
| 1991 |
How To Avoid The Future Tense, bookwork with Liz Magor (1991), 92 pp. B&W duotone, published by Walter Phillips Gallery, Banff Alberta. |
| 1991 |
EVERYTHING You Always Wanted, bookwork (1991), 110 pp. B&W with colour plate, published by Power Plant Gallery, Toronto Ontario. |
| 1990 |
Only Make Believe, bookwork 32 pp. B&W, independently published, Vancouver British Columbia. |
| 1990 |
Six Projects For Surrey, bookwork/catalog, 56 pp. colour, published by Surrey Art Gallery, Surrey, British Columbia. |
| 1988 |
have you Ever loved me? bookwork/catalog with David Claussen, 16 pp. colour, published by Presentation House, North Vancouver, British Columbia |
| 1987 |
nO fiXeD aDdrESs, bookwork, 20 pp. B&W, published by Mercer Union, Toronto, Ontario |
| 1987 |
Almost*Dreaming, bookwork/catalog, 28 pp.+12 page centrefold, colour, published by Vancouver Art Gallery, Vancouver British Columbia. |
| 1985 |
Souvenir Book, bookwork, 16 pp. B&W, independently published in Vancouver, British Columbia. |
| |
|
Audio Compositions
| 2001-2005 |
an Analysis for the Romantic Condition (10:00) stereo audiowork for installation first presented at the Great River Arts Institute, NH, French version first presented at Centre d'art Passerelle, in Brest France |
| 1997 |
The Man Who Waits and Sleeps While I Dream, (7:25) 8 track ADAT audiowork heard through multiple speaker arrangements as part of multi media installation, first shown at the MacKenzie Art Gallery in Regina Saskatchewan. |
| 1994 |
the Memory Tape of the Day (10:00) stereo soundtrack presented in an installation at Printed Matter in New York. |
| 1994 |
an Archive for the Lost Ones, (10:30) 8 track audiowork presented at the Contemporary Art Gallery in Vancouver |
| 1987-1992 |
nO fiXeD aDdrESs, (4 tapes @ 3:00,12:00 total), prerecorded answering machine messages, various versions presented at Mercer Union, Toronto (1987), the Cent Jours Exhibition at the Centre International d’art Contemporain, Montréal (1989), the Contemporary Art Gallery, Vancouver (1991), and at The Boundary Rider Sydney Biennale, Sydney Australia (1992-1993). |
| 1990 |
How To Avoid The Future Tense, (9:43), stereo soundtrack presented as a site specific performance in Banff, 1991 |
| 1990 |
EVERYTHING You Always Wanted, two simultaneous multi-track recordings @ (13:00) and one stereo soundtrack @ (15:00) presented at The Power Plant, Toronto, 1991. |
| 1988 |
have you Ever loved me?, (6:00), stereo soundtrack first shown at Presentation House, North Vancouver, BC, 1988. |
| 1986 |
Souvenir: Oratorio, (15:00), stereo soundtrack first shown in site specific performance, Park Place office tower, Vancouver, BC , 1986. |
| 1985 |
Fugue, site specific performance in a derelict warehouse in Vancouver, BC (1985). Re-presented as 45 minute concerts in Vancouver, Banff, Winnipeg, London, and Montréal Canada. |
| |
|
Videotapes
| 1997 |
The Man Who Waits and Sleeps While I Dream, (7:25) part of multi media installation with stereo audio track, first shown at the MacKenzie Art Gallery in Regina Saskatchewan. |
| 1996 |
I love You Forever (4:00) , part of multi media installation, Nausea, with stereo audiotrack, shown at 96 Containers in Denmark, Copenhagen. |
| 1995 |
Untitled My Sleeper,(6:00), part of multi media installation with stereo audio track heard through headphones and accompanied by 80 colour slide projections, first shown at the Art Gallery of Peterborough, Canada 1995. |
| 1987 & 1989 |
nO fiXeD aDdrESs, (12:00), shown in different forms at Mercer Union, Toronto (1987), the Cent Jours Exhibition at the Centre International d’art Contemporain, Montréal (1989), and in association with the Contemporary Art Gallery, Vancouver 1991. |
| 1985 |
VideoPerfume, (8:14), first shown independently in Vancouver (1985), and at the National Gallery of Canada, Ottawa (1986) and at the Musée d’Art Contemporain, Montréal 1990. |
Teaching/Lectures
| 1995 |
instructor at the University of Lethbridge in Lethbridge Alberta, photo arts. |
| 1990 |
instructor at Emily Carr College of Art & Design, Vancouver, Canada media/photo departments. |
| 1982-1995 |
guest artist/lecturer at: Academie du Art, Rotterdam, the Netherlands; Aki, Enschede, the Netherlands; Nova Scotia College of Art and Design, Halifax Nova Scotia; the University of Western Ontario, London Ontario; University of British Columbia, Simon Fraser University, Emily Carr College of Art & Design in Vancouver, British Columbia; University of Victoria and Open Space Gallery in Victoria, British Columbia; Optica Gallery and Concordia University in Montréal, Québec; Windsor Art Gallery, University of Windsor, and Artcite Gallery in Windsor, Ontario, Brock University in St Catharines, Ontario, York University in North York, Ontario, University of Ottawa in Ottawa, Ontairo, the Walter Phillips Gallery, Banff Center for the Arts, in Banff Alberta. |
|